Four years ago, I made a New Years resolution not to eat fast food for a year. Fast food I defined as any food from a fast food restaurant like McDonald’s, Burger King, Jack-in-the-Box, Taco Bell, etc. Places that have drive-thrus and do not have servers or silverware. Where your [...]



Speed Racer starts off with promise: a bright, trippy kaleidoscope. I anticipated the rest of the film to be like that, but it wasn’t. There are some astonishing visuals throughout the film, but it’s not enough. Moreover, the film is about 50 minutes too long. And it’s obvious
Some guys who went to the same film school as me made this movie, not far from St. Louis, with John Heard (first-billed, but in a supporting role), America Ferrara (right before her big break-out in Ugly Betty), Laurie Metcalf, and Raymond J. Barry. It gives Barry and
This Oprah-produced inspirational drama came out late last year. It was one of those movies that I felt I should see but didn’t really want to. It got mediocre reviews, but the subject and time period got me interested so I ultimately put it in my Netflix queue.
Roman Polanski made some films in Poland before moving to the U.S. (and later France). Knife in the Water was, I believe, his only feature there, and it’s obvious why he quickly moved on to bigger productions. Knife in the Water is a classic thriller in the vein
I’m among the masses who were disappointed with Ang Lee’s Hulk five years ago. It was such a misfire in so many ways, most notably in that it took itself waaaaay to serious, but The Incredible Hulk is a vast improvement. It’s not as much fun as Iron 
I still think the title is awful.
It’s no Pink Flamingos or Female Troubles (that one’s my favorite), but like all of John Waters’ films, it has his distinct mark which means it’s worth seeing. Every moment of every film he has ever made are clearly his. I can’t think of many other directors for
This was the second film I saw at Tribeca. If it wasn’t for In the Name of the King, this would be the worst film of 2008. It’s not funny. We get it: People are profiting from the Iraq war. It worked in Dr. Strangelove. If someone wants
Give me an S. Give me an H. Give me an I… oh, that’s just too obvious. There’s a reason that this 80s cheerleader flick has been forgotten. It’s a typically bad teen sex comedy that’s light on both sex and comedy. There’s also an embarrassing rip-off of


The casting of Robert Downey Jr. was brilliant. I don’t think Iron Man is all that cool of a superhero, but Tony Stark is. Unlike Clark Kent, Peter Parker, Bruce Wayne, etc. I prefer the scenes in which he’s not in the costume. I saw this at the
This is the front-runner for worst film of the year (it came out in the US in 2008). The notorious Uwe Boll is at it again. He is called this generation’s Ed Wood. Both directors made awful films but thought them to be brilliant. They were delusional, sad
Halle Berry’s Oscar hopeful from last year came out just prior to award season and bombed. It got mixed reviews and nobody went to see it. It was quickly forgotten. Which is a shame, because it’s not bad. It’s an effective drama with solid work from Berry, Benicio
I saw two films at the Tribeca film festival, and this was the first. It’s a historical epic from China based on a book that’s been popular over there for hundreds of years. There’s lots of action - some of it cool, some of it silly - and
This was one of the few films of 2007 that I really wanted to see in the theater but somehow missed. I really don’t know what to write about it. I liked it a lot, but part of it made me want to dislike it right after I
I knew this was going to be shitty. When I first saw the trailer, I knew I was going to be disappointed. When it was first announced even, I knew I wouldn’t like it. And when I popped it into the DVD player (or blu-ray, I guess) recently,
It was a bit of a stretch to see a whole town go along and pretend that Lars’ doll was a real person, but the charm of Lars, his brother and his sister-in-law doesn’t wear off. Lars turns into an asshole after a while, acting as if his
This was such a surprise. It’s a bit sad that good, old-fashioned, character-driven, family-oriented comedies - the ones we used to see in theaters all the time 15-20 years ago - have almost completely disappeared. Instead, we get quirky independent comedy dramas, silly goofball comedies, kids movies, big-budget
I love dark, gritty cop dramas, but the genre might have run out of steam. There was a resurgence a few years ago with a number of stylish new films that didn’t shy away from violence and showed both good and bad cops. But after films like Traffic,
The spaghetti western is one of my favorite sub-genres, and my favorite spaghetti westerns are the ones that have American stars. Back in the 60s and 70s, for James Coburn, Henry Fonda or Charles Bronson to go to Italy to headline a cheap Italian film (western, cop movie,
A snore of a movie. The film consists of three stories. One features Meryl Streep as a journalist interviewing senator Tom Cruise in his office. It takes place almost entirely in the senator’s office. The other story focuses on professor Robert Redford who is meeting with one of
This is a Cannon sci-fi thriller that I had never heard much about… until now. I saw that it was on Universal HD, so I recorded it. It’s Cannon, how can I live a full life without having seen it? I was surprised how good the film looked.
Tony Kaye (American History X) goes on a bit too long (2 1/2 hours) in his (mostly) unbiased documentary about abortion. Kaye also puts too much focus on fundamentalist Pro-Life activism, which gave me the feeling that that side of the spectrum wasn’t represented very accurately. The documentary
I got a kick out of Richard Shepard’s last flick, The Matador, and I’ve been looking forward to his latest, The Hunting Party, for a while. Sadly, it only had a limited release and went by unnoticed. It played at the Landmark Sunshine in my street, but with
What happened to Rod Lurie? He started out with an interesting doomsday thriller in 1999 (Deterrence), followed it up with the terrific political thriller The Contender in 2000, but then struck out with the Robert Redford/James Gandolfini prison flick The Last Castle a year later. He didn’t make




Man, is there nothing else going on in my life besides movies?


